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22.04.2009 Wersja do druku

Burn Monroe, Save Lupa

Krystian Lupa is going to show the legend of holywood at the moment of her heroic battle for her own identity. However, goddesses are not allowed to toy around. This is a play that is an important undertaking for Lupa himself, who is slowly going from being a mere director to himself being a legendary personality.

When Krystian Lupa took hold of a digital camera during the rehearsals for Factory 2, many people had their doubts. Is the master trying to be trendy He is reaching for the toys of his own younger pupils, betraying his world where the slow was celebrated, the world of Jung, of middle europe lost in the pages of Bernhard or Musil. By becoming interested in Warhol and the roots of popculture, does Lupa himself wish to become a pop culture phenomena? Following two plays, one sees that the stories of the artists of the Factory and the biography of Marylin Monroe contain more philosophical musings than even Zarathustra or Kalwerek. Nowhere else has Lupa taken up the subject of "humanity vs. Personality" as in his latest play on the subject of Marylin Monroe, let alone the subject of the "stages of theatricity" and Jung's notion of the conflict between personality and the shadows. In the first part of the triptic (the following parts are going to be dedicated to the Armenian-Greek mystic

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Źródło:

Materiał nadesłany

Gazeta Wyborcza nr 92

Autor:

Joanna Derkaczew

Data:

22.04.2009