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9.01.2009 Wersja do druku

From Barbarian to Classic

Warlikowski is a beautiful example of the proces sof maturing in Polish theater. Of a chaotic rebellion in youth which is slowly stripped of everything except that which is purely most artistic and authentic. It is interesting that while Poles consider him to be an immitator of European artists, in the West he was praised for his originality and his specifically Polish style of work, writes Łukasz Drewniak in the Przekrój Magazine.

From Barbarian to Classic Warlikowski is a beautiful example of the proces sof maturing in Polish theater. Of a chaotic rebellion in youth which is slowly stripped of everything except that which is purely most artistic and authentic. It is interesting that while Poles consider him to be an immitator of European artists, in the West he was praised for his originality and his specifically Polish style of work, writes Łukasz Drewniak in the Przekrój Magazine. The day before the premiere of his Angels in America at the Rozmaitości Theater, we are wondering about the cursed subject, which his play brings up - the subjectof the Other and his view of the "normal" world. The generation of directors that Warlikowski belongs to has changed the face of Polsi theater between 1997 and 2001. Until very recently, they were called the barbarians. And now, the 44 year old barbarian has become a role model for younger generations. He has become a classic of Polish theater, widely praised and a

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Tytuł oryginalny

"Serce w celofanie

Źródło:

Materiał nadesłany

Przekrój nr 6 /08-02-2007

Autor:

Łukasz Drewniak

Data:

09.01.2009